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The Pre-Raphaelites, for instance, were a group and not a coterie. They were engaged in working and enjoying, in looking out for artistic promise, in welcoming and praising any performance of a kind that Rossetti recognised as "stunning." They were sure of their ground. The brotherhood, with its magazine, The Germ, and its mystic initials, was all a gigantic game; and they held together because they were revolutionary in this, that they wished to slay, as one stabs a tyrant, the vulgarised and sentimental art of the day. They did not effect anything like a revolution, of course. It was but a ripple on the flowing stream, and they diverged soon enough, most of them, into definite tracks of their own. The strength of the movement lay in the fact that they hungered and thirsted after art, clamouring for beauty, so Mr. Chesterton says, as an ordinary man clamours for beer. But their aim was not to mystify or to enlarge their own consequence, but to convert the unbeliever, and to produce fine things.

We came across three distinct hill ranges of that type, over which we had to travel, the highest point being some 300 ft. above the level of the Tapajoz River. The last bit in particular of that hilly region was diabolically steep, with loose rocks which gave us no end of trouble. A beautiful little streamlet flowing east descended in cascades among those huge rocks. Eventually we reached the summit of the plateau, a huge flat expanse of dark red volcanic rock. My men were so tired that we had to camp on that elevation. Nothing but a few shrubs grew in the interstices of that great table of rock, which extended for several kilometres to the north. The barrier of rock, a spur of the great central plateau, was very interesting from a geological point of view.

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