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Tamoskaro-2 Directory 08
Page 06
First and foremost for every student of Norman and early Angevin history is the work of Bishop STUBBS. With a more direct, personal interest in the growth of institutions, still in his Constitutional History and in his prefaces to the volumes he edited for the Master of the Rolls he discussed the narrative history of the whole age and very fully the reigns of Henry II and his two sons. The characteristic of Bishop Stubbs's work, which makes it of especial value to the student of the present generation, is the remarkable clearness with which he saw the essential meaning of his material and its bearing on the problem under discussion. While he generally neglected a wide range of material of great value to the historian of institutions--the charters and legal documents--and did not always formulate clearly in his mind the exact problem to be solved, yet the keenness with which he detected in imperfect material the real solution is often marvellous. Again and again the later student finds but little more to do than to prove more fully and from a wider range of material the intuitive conclusions of his master.
We owe to foreign scholars many studies of value on particular questions of Norman and Angevin history, like M. CHARLES BEMONT's on the trial of King John for the murder of Arthur, and a few long works of first importance. Dr. H. BOeHMER's Kirche und Staat in England und der Normandie im XI und XII Jahrhundert is of great interest on the conflict of Anselm with Henry I and the consequences that flowed from it. O. ROeESSLER's Kaiserin Mathilde is of particular value for the foreign policy of Henry I and for the reign of Stephen, though inclined to attach too much weight to what are really conjectures. M.A. LUCHAIRE's contribution to E. Lavisse's Histoire de France is a very interesting piece of work, dealing fully with the French side of English foreign relations, and of especial value for the first three Angevin kings. The same subject is receiving also minute and careful treatment in Dr. ALEXANDER CARTELLIERI's Philip II Augustus, Koenig van Frankreich, the first volume of which goes to the death of Henry II, while M. PETIT-DUTAILLIS's Etude sur la Vie et la Regne de Louis VIII is useful for the last years of John.
This leads us to a consideration that I have delayed till now. The black image is the central feature of Oropa; it is the raison d'etre of the whole place, and all else is a mere incrustation, so to speak, around it. According to this image, then, which was carved by St. Luke himself, and than which nothing can be better authenticated, both the Madonna and the infant Christ were as black as anything can be conceived. It is not likely that they were as black as they have been painted; no one yet ever was so black as that; yet, even allowing for some exaggeration on St. Luke's part, they must have been exceedingly black if the portrait is to be accepted; and uncompromisingly black they accordingly are on most of the wayside chapels for many a mile around Oropa. Yet in the chapels we have been hitherto considering--works in which, as we know, the most punctilious regard has been shown to accuracy--both the Virgin and Christ are uncompromisingly white. As in the shops under the Colonnade where devotional knick-knacks are sold, you can buy a black china image or a white one, whichever you like; so with the pictures--the black and white are placed side by side--pagando il danaro si puo scegliere. It rests not with history or with the Church to say whether the Madonna and Child were black or white, but you may settle it for yourself, whichever way you please, or rather you are required, with the acquiescence of the Church, to hold that they were both black and white at one and the same time.
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