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Tamoskaro-2 Directory 09
Page 06
The woodpeckers all build in about the same manner, excavating the trunk or branch of a decayed tree, and depositing the eggs on the fine fragments of wood at the bottom of the cavity. Though the nest is not especially an artistic work,--requiring strength rather than skill,--yet the eggs and the young of few other birds are so completely housed from the elements, or protected from their natural enemies--the jays, crows, hawks, and owls. A tree with a natural cavity is never selected, but one which has been dead just long enough to have become soft and brittle throughout. The bird goes in horizontally for a few inches, making a hole perfectly round and smooth and adapted to his size; then turns downward, gradually enlarging the hole, as he proceeds, to the depth of ten, fifteen, twenty inches, according to the softness of the tree and the urgency of the mother bird to deposit her eggs. While excavating, male and female work alternately. After one has been engaged fifteen or twenty minutes, drilling, and carrying out chips, it ascends to an upper limb, utters a loud call or two, when its mate soon appears, and, alighting near it on the branch, the pair chatter and caress a moment; then the fresh one enters the cavity and the other flies away.
The Death of the Virgin is the last of the six chapels inside the church itself. The Apostles, who of course are present, have all of them real hair, but, if I may say so, they want a wash and a brushup so very badly that I cannot feel any confidence in writing about them. I should say that, take them all round, they are a good average sample of apostle as apostles generally go. Two or three of them are nervously anxious to find appropriate quotations in books that lie open before them, which they are searching with eager haste; but I do not see one figure about which I should like to say positively that it is either good or bad. There is a good bust of a man, matching the one in the Birth of the Virgin chapel, which is said to be a portrait of Giovanni d'Enrico, but it is not known whom it represents.
CAMPANIA extended along the coast from the Liris, which separated it from Latium, to the Silarus, which formed the boundary of Lucania. It is the fairest portion of Italy. The greater part of it is an unbroken plain, celebrated in ancient as well as in modern times for its extraordinary beauty and fertility. The _Bay of Naples_--formerly called Sinus Cumanus and Puteolanus, from the neighboring cities of Cumae and Puteoli--is one of the most lovely spots in the world; and the softness of its climate, as well as the beauty of its scenery, attracted the Roman nobles, who had numerous villas along its coasts.
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