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Tamoskaro-2 Directory 09
Page 08
In making his preparations for a descent upon the English coast, he prepared for a very determined contest, knowing well the character of the foes with whom he would have now to deal. He built two enormous ships, much larger than those of the ordinary size, and armed and equipped them in the most perfect manner. He filled them with selected men, and sailing down along the coast of Scotland, he watched for a place and an opportunity to land. Winds and storms are almost always raging among the dark and gloomy mountains and islands of Scotland. Ragnar's ships were caught on one of these gales and driven on shore. The ships were lost, but the men escaped to the land. Ragnar, nothing daunted, organized and marshaled them as an army, and marched into the interior to attack any force which might appear against them. His course led him to Northumbria, the most northerly Saxon kingdom. Here he soon encountered a very large and superior force, under the command of Ella, the king; but, with the reckless desperation which so strongly marked his character, he advanced to attack them. Three times, it is said, he pierced the enemy's lines, cutting his way entirely through them with his little column. He was, however, at length overpowered. His men were cut to pieces, and he was himself taken prisoner. We regret to have to add that our cruel ancestors put their captive to death in a very barbarous manner. They filled a den with poisonous snakes, and then drove the wretched Ragnar into it. The horrid reptiles killed him with their stings. It was Ella, the king of Northumbria, who ordered and directed this punishment.
The Dominie was to preach his harvest sermon, and his flock was to join him in giving thanks to God for the bounties He had bestowed upon them. He had, indeed, blessed them with an abundant harvest that year; and now they had come to thank Him and be joyful. Conspicuous in the group was the little snuffy doctor, Critchel, looking happy among the people whose ills he had administered to for half a century. On Harvest-Sunday he could kiss and caress the bright faced little children he had helped bring into the world as fondly as a young mother. There, too, was the schoolmaster, with his ruddy face and his seedy clothes, ready to do his part in making Harvest-Sunday pass pleasantly, for indeed the crop was a matter of importance with him. And there was Titus Bright, for the merry little inn-keeper would have considered such a gathering incomplete without him. Titus was not so well thought of by the Dutch settlers since he gave up his little tavern for a big one, and had taken to boarding fine folks from the city.
This school probably got its sentimental inclination, shown in slight forms and tender expression, from France, but derived much of its technic from the Netherlands. Stephen Lochner, or Meister Stephen, (fl. 1450) leaned toward the Flemish methods, and in his celebrated picture, the Madonna of the Rose Garden, in the Cologne Museum, there is an indication of this; but there is also an individuality showing the growth of German independence in painting. The figures of his Dombild have little manliness or power, but considerable grace, pathos, and religious feeling. They are not abstract types but the spiritualized people of the country in native costumes, with much gold, jewelry, and armor. Gold was used instead of a landscape background, and the foreground was spattered with flowers and leaves. The outlines are rather hard, and none of the aerial perspective of the Flemings is given. After a time French sentiment was still further encroached upon by Flemish realism, as shown in the works of the Master of the Lyversberg Passion (fl. about 1463-1480), to be seen in the Cologne Museum.
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