Tamoskaro-2 Directory 13

This revolution, ushering in the liberal monarchy of William and Mary, restored to Rhode Island and Connecticut their old charter governments in full. New Hampshire, after a momentary union with Massachusetts again, became once more a royal province. As to Massachusetts itself, a large party of the citizens now either did not wish the old state of things renewed, or were too timid to agree in demanding back their charter as of right. Had they been bold and united, they might have succeeded in this without any opposition from the Crown. Instead, a new charter was conferred, creating Massachusetts also a royal province, yet with government more liberal than the other provinces of this order enjoyed. The governor was appointed by the Crown, and could convene, adjourn, or dissolve the Legislature. With the consent of his council he also created the judges, from whose highest sentence appeal could be taken to the Privy Council. The governor could veto legislation, and the king annul any law under three years old.

The eighth chapel is that of the Sposalizio, is certainly not by Aureggio, and I should say was mainly by the same sculptor who did the Presentation in the Temple. On going inside I found the figures had come from more than one source; some of them are constructed so absolutely on Valsesian principles, as regards technique, that it may be assumed they came from Varallo. Each of these last figures is in three pieces, that are baked separately and cemented together afterwards, hence they are more easily transported; no more clay is used than is absolutely necessary; and the off-side of the figure is neglected; they will be found chiefly, if not entirely, at the top of the steps. The other figures are more solidly built, and do not remind me in their business features of anything in the Valsesia. There was a sculptor, Francesco Sala, of Locarno (doubtless the village a short distance below Varallo, and not the Locarno on the Lago Maggiore), who made designs for some of the Oropa chapels, and some of whose letters are still preserved, but whether the Valsesian figures in this present work are by him or not I cannot say.

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